The high school melodrama gets feebly super-charged in Sky High, a tween-oriented Disney adventure made from the spare parts of Harry Potter, Spy Kids, X-Men and ‘80s teen romances like Some Kind of Wonderful. Without an original bone in its mutant body, Mike Mitchell’s decidedly mortal misfire – too childish and metaphorically shallow to appeal to serious comic book fans, and too prosaic to strike a chord with those weaned on Pixar’s far more exhilarating The Incredibles is a misguided movie in search of a suitable identity. While cheery, colorful, and buoyant as Superman on a nighttime flight around Metropolis, this humdrum escapade nonetheless lacks any sign of an extraordinary imagination. An example of bland mix-and-match derivativeness, the film’s espousals of egalitarianism not only promote the values of tolerance and cross-cultural harmony, but also wind up functioning as a preemptive validation for its own mild, middle-of-the-pack mundaneness.
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