Winner of the German Film Award for his editing work on Joseph Vilsmayer's COMEDIAN HARMONISTS, Adam is essentially self-taught. After numerous music videos and television commercials, he became the first sound-editor in Germany to work with digital equipment for films like Uli Edel's own LAST EXIT TO BROOKLYN, and Volker Schloendorff's THE HANDMAID'S TALE. Subsequent feature credits include Anthony Waller films MUTE WITNESS and AN AMERICAN WEREWOLF IN PARIS.
